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Tuesday Sep 08, 2009
 

Apple Color workflows

Arguably Apple Color is among the most frustrating pieces of creative software around – frustrating because it is on one hand amazingly powerful and on the other putridity inefficient and dysfunctional. Simple tasks often seem far harder than they should be and the round-trip between FCP and Color is not nearly as easy as it sounds. It’s also a tool that makes all but the uber-nerdy feel more like mathematicians than artists with an interface that just isnt conducive to creative flow. If you want a colour-grading experience that feels more like art than science RedGiant Colorista and MagicBuletLooks are the tools to go for.

But, that said, with excellent secondary colour correction tools and built-in motion tracking it presents two elements missing from MagicBullet so it can be well worth the effort if you can wrangle its quirks and issues into line.

Below is a set of good articles i've found that lay out different Color workflows and how to deal with some of its inconsistencies. Certainly we all look forward to the day when Apple finally convert Color from its clunky, linux-like interface into a real Apple-esque package with a consistent interface to the rest of the FCStudio.

Undertanding Apple Color Workflow

Color workflows with different types of sources

RED+FCP+COLOR: making it all work

And here’s also a 2-part video tutorial on the Color Workflow from FCP

FCP to Color part 1

FCP to color part 2

http://provideocoalition.com/images/uploads/RF3-10.jpg

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