The status quo maintenance persists.....
It's very easy to fall into thinking that the cinema industries are
pushed along by a hunger for the power and flexibility of new
technology and technical innovation. From where we sit in a binary pool
of software and digital hardware and RED ONE cameras and solid-state
recording and so on, you could be forgiven for thinking that the film
industry is the foremost embracer of new technology.
The truth however is that the film industry has most often been
painfully slow to accept new technology, extremely slow to change or
adapt or engage with new opportunities and oftentimes deliberately
resistant to evolution and 'better' ways of working. Indeed it might be
said that it has an overt preference for the status quo.
This interesting interview below explores this conundrum whereby, on
one hand, 'cinema-is-technology' and does not exist without technology
and yet on the other, the industry has consistently rejected, avoided
and rallied against technological change.
A this is not helped by the human aversion to change, the unwillingness to get past the thinking of "we've always done it that way".
Truth be told, many who control the money, whether producers or, in the case of Australia, the funding agencies, wouldn't know a good script from a bad one if they were stabbed in the eyes with the brass brads.
And many of them want to act like studio execs. Queensland's PFTC are a classic example of this (Queensland has become known as the "Mordor of film making"! Awesome.) People who are making movies, good movies, can't get assistance, even when they are doing most of the fundraising themselves and getting films made. "It'll never happen", they are told, even though they have already *made* it happen, they just want a bit of assistance. And all the while they (PFTC) crow about how American productions are being shot here, bringing jobs to the film industry. Ha! Those productions are to the local film industry what Nike is to the South East Asian shoe industry -- they come here while it suits them, i.e., while the exchange rate is good.
And even when feature films are made in Australia, when do we see them? We can't claim we have a film industry until we are making our films and then *screening* our films.
The problems you refer to are systemic. Often the people making the choices as to the tech that will be used are not the ones who use it. And there is a fair bit of self-protection -- if we keep the perception of Avid skills, 35mm camera skills as being elite, then I will keep myself in demand. Make people think that 35 mm film is the only true way to capture colour, even though every film is telecine'd to digital and then colour corrected beyond recognition. Many of these people couldn't even tell the differences anyway, they are simply regurgitating what someone else told them once.
You points are all valid, but the problem is people.
But I have digressed, and ranted as much as you :-)
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marks
Posted by marks on July 03, 2009 at 04:33 PM EST #