Workflow schematics for digital production
Planning is Power. Any filmmaker woth their salt knows this truism to be well evidenced. In the digital age that power of planning is most evident in the structure and progression of the Workflow model.
This site from DataLab steps through the all-digital, tapless, workflow structure of David Fincher's feature film Zodiac. Charged with developing a clear and efficeint workflow for Fincher, DataLab came up with a system that allow for digital dallies and efficient online approvals as well as a totally uncompressed conform.
The workflow plan made use of standard everyda hardware, the much commoditized Final Cut Pro NLE system and common file formats such as DVCProHD and AVC/h.264. The same workflow today might move away from DVCProHD to much more efficient lossless Wavelet compression codecs such as Cineform and ProRes but, none the less, the workflow shows a major 'hi-end' film employing everyday technology and that should help point the way for all budget spectrums.
In much the same vein I have of late been involved in developing schematic workflow structures for my students at the International Film School Sydney to help guie them through various post production options. These workflow plans are matched to the technology used within the school and the evolving skill and knowledge base of the students as they progress through the course. Starting with simple DV and a limited range of software post-production choices and flowing onto HD and a multitude of editing, effects, sound and colour grading options.
These structures are built around the core cocnepts of the IFSS philosophy which is to develop and educate self-sufficient, holistically skilled, independant filmmakers who are flexible and adpatable; filmmakers who know how to get great results out of limited resources, filmmakers who know how to do More with Less. The schematics dont cover every possibility or nessasarilly the 'best' for your particular prodction but they do provide a good visual infomatic to visualise and plan a clear on-line digital workflow process.
Planning is power because every minute you spend on planning is 5 extra minutes you'll have to focus on creative choices rather than technical ones.
The four IFSS schematics for post workflow covering DV, HDV 720 and 1080 as well as XDCAMEX can be found at the International Film School Sydney student resource site known as IFSSPRODUCTION in the 'Production Bible' section. This student resource, which is open to everyone, contains a huge range of useful production documents, guides and checklists for student and indie filmmakers.
Posted at 12:00AM Jul 02, 2008
by Mike Jones in technology |
